ARNOLD JOSEPH KEMP

b. 1968 in Boston, lives and works in Chicago 

SOLO EXHIBITIONS

2022 Less Like an Object and More Like the Weather curated by Dieter Roelstraete, University Of Chicago’s Neubauer Collegium, Chicago, IL

2021 FALSE HYDRAS, JOAN, Los Angeles, CA
I COULD SURVIVE, I WOULD SURVIVE, I SHOULD SURVIVE, Manetti Shrem Art Museum at UC Davis, CA

2019 WORKSHOP, King School Museum of Contemporary Art, Portland, OR

2018 THE BIG DARK w/ Kristan Kennedy, Fourteen 30 Contemporary, Portland, OR
h/S: w/ Sb Fuller, Situations Gallery, NY, NY
New and Recent Work, May 68, Books & Records at Martos Gallery, NY

2017 CUANDO LOS ENFERMOS GOBIERNAN EL MUNDO (When the Sick Rule the World), Biquini Wax EPS, Mexico City, Mexico
THE STUPIDITY OF BELIEF, Iceberg Projects, Chicago, IL

2016 FOND FAREWELLS, ADA Gallery, Richmond, VA
NOT YET SEEN, Cherry & Lucic, Portland, OR

2015 HEADLESS, Soloway, New York, NY
POSSIBLE BIBLIOGRAPHY, PDX Contemporary at Volta, New York, NY

2013 WHEN WILL MY LOVE BE RIGHT?, PDX Contemporary, Portland, OR

2012 FOR HEAVEN'S SAKE, ΜΕΣ(s)Α Project Space, Portland, OR
HOW TO MAKE MIRRORS, 2nd Floor Projects, San Francisco, CA
CRACKED MIRROR, Crow’s Shadow Institute of the Arts, Pendleton, OR

2010 DAYDREAM NATION, PDX Contemporary Art, Portland, OR

2009 THIS QUIET DUST, LADIES AND GENTLEMEN, PDX Contemporary Art, Portland, OR
THEM (TREES), Patricia Sweetow Gallery, San Francisco, CA

2007  THE SUSPIRIA VERSION, Portland Institute for Contemporary Art, Portland, OR

2006 DRAWINGS, Stephen Wirtz Gallery, San Francisco, CA

2005 DRAWINGS, Cité Internationale des Arts, Paris, France

2004 A NEW LIBRARY, CCSRE, Stanford, CA

2002 REVERSE VACATION, Quotidian Gallery, San Francisco, CA

2001 PLAYED TWICE, Debs & Co., New York, NY

2000 Color Theory w/ Mark Bradford, Luggage Store, San Francisco, CA

1998 ESP, esp, San Francisco, CA

1991 ELEGY, San Francisco African and African American Historical Society, CA


SELECTED GROUP EXHIBITIONS

2020 Mask, Klaus von Nichtssagend Gallery, New York, NY

2019 We Burn Our Dreams Just to Stay Warm, Capital Gallery, San Francisco, CA

2017 Strange Attractors: The Anthology of Interplanetary Folk Art, Vol. 1 Life on Earth, Redling Fine Art, Los Angeles, CA
Where Do We Stand?, Two Years of Drawing with Open Sessions, Drawing Center, New York, NY
Let Me Be an Object that Screams, Gallery 400, University of Illinois at Chicago, IL

2015 Nassau Calling, HilgerBrotKunsthalle, Vienna Austria
European Ghosts, Mu.ZEE, Ostend, Belgium
New Dominion, Mixed Greens, NY, NY
National Exhibition #7: Antillean: an Ecology, The National Art Gallery of the Bahamas, Nassau

2014 The Botanica, Invisible Exports, New York
International Invitational Triennial of Contemporary Wind Chimes, Rocksbox Fine Art, Portland, OR

2013 Spectators, Rendered and Regulated, Koenig & Clinton, NY, NY

2012 Portland Biennial 2012, Disjecta, Portland, OR
The Bearden Project, The Studio Museum in Harlem

2011
 Here/Now, Elizabeth Leach Gallery, Portland, OR

You Can Never Go Home Anymore, Louis B. James Gallery, NY, NY

2010
 Collected. Black & White, The Studio Museum in Harlem, New York, NY

SELECTED PERFORMANCES

2017 February 14, Biquini Wax EPS, Mexico City, Mexico
WAITING, Cranbrook Academy of Art Lecture Series, Bloomfield Hills, MI
16 Lectures on 16 Wars,
Comfort Station, Chicago, IL

2016 NOT YET SEEN: WE REVEAL A HAND THAT HAS YET TO REVEAL US, Stimulus Packages, San Francisco Art Institute, San Francisco, CA

2014 IN THE LAST MINUTE OF BEING BLACK, Banff Centre, Banff, Canada

2013 In Arms, PDX Contemporary, Portland, OR

2011 FIRE AND ICE (BLACK PRISM REMIX), San Francisco Museum of Modern Art


SELECTED PUBLIC COLLECTIONS

Portland Art Museum, Portland, OR

The University of California Berkeley Art Museum / Pacific Film Archive

The Studio Museum in Harlem, New York

Metropolitan Museum of Art, New York

The Nelson Gallery and Fine Art Collection at the University of California, Davis

Manetti Shrem Museum at UC Davis

The Tacoma Art Museum, Tacoma WA

JP Morgan Chase Art Program, New York

 
EXHIBITION CATALOGS

2020 WORKSHOP, King School Museum of Contemporary Art, 2020.

2019 May 68 Books & Records, curated by Bob Nickas, 2017.

2018 Tag: Proposals on Queer Play and Ways Forward, ICA Philadelphia, curated by Nayland Blake, 2018.

2017 Arnold Kemp: The Stupidity of Belief, Iceberg Projects, 2017.
Let Me Be An Object That Screams, Gallery 400, curated by Matt Morris, 2017.

2012 The Bearden Project, The Studio Museum in Harlem, edited by Jessica Lott and Samir S. Patel, 2012.
Best of the Northwest: Selected Works from Tacoma Art Museum, edited by Margaret E. Bullock and Rock Hushka, 2012.

2010 Re:Collection, Selected Works from the Studio Museum in Harlem, 2010.

2001 Freestyle, by Studio Museum in Harlem, 2001.

FELLOWSHIPS AND GRANTS

2020 Recipient, The Andy Warhol Foundation Arts Writers Grant for Forthcoming Article,
“Who is this black, queer curator? If you don’t remember it and do him, his last name is McShine.”

2012 Recipient, John Simon Guggenheim Memorial Foundation Fellowship

2009 Recipient, Art Matters Grant for collaborative project with Pierre Soulages, BLACK ART INDEX, Art Matters Foundation, New York, NY
Recipient, Printed Matter Award for Artists, New York, NY

2003  Recipient, Pollock-Krasner Foundation Grant

2001 Fellow, Joan Mitchell Foundation, New York, NY
Recipient, The ArtCouncil Grant 


PRESS

2020 Cardoza, Kerry. “Art 50 2020: Chicago’s Artists’ Artists.” New City, September 3.

2017 Reichert, Elliott. “Art 50 2020: Chicago’s Visual Vanguard.” New City, August 31.
Sheets, Hilarie. “Hidden Lights: Art-World Professionals Answer a Question—Who Are the Most Underrated Artists Today?” ARTnews, March 21.

2014 Kitson, Will. “Arnold Joseph Kemp: RISING FROM THE EDGE OF MAN’S SORROW.” Seymour Magazine. January 14. — Online

2013 Margolis-Pineo, Sarah. “When Will My Love Be Right: A Conversation with Arnold J Kemp.” Bad at Sports. March 20. — Online
Snyder, Stephanie. “Critics’ Pick: Arnold J. Kemp.” ARTFORUM, February 5. — Online.

2010
 Motley, John. “Arnold Kemp with ‘Daydream Nation’ and Vanessa Renwick with ‘As Easy as Falling off a Log’ at PDX Contemporary Art.”
The Oregonian, Nov. 19.

Donovan, Thom, “Aspect Blindness: Arnold Kemp and Sreshta Rit Premnath,” art: 21 blog, September 7.

2009
 Row, D.K., "Review: Arnold Kemp at PDX and Dianne Korberg at Elizabeth Leach Gallery," The Oregonian, November 27.

Jahn, Jeff. "A Gaggle of November Reviews," PORT, November 26.

Malone, Micah, "Critics' Picks: Arnold J. Kemp," Artforum, November 10.

Norris, TJ, "Arnold J. Kemp: Whispering Amid the Darkness, Shining in the Light," just out, November 6.

2007
 Kryza, AP, “Blood, Guts and Art: The Hallucinatory Horror Double Feature,” Willamette Week, May 11.

Bowie, Chas, “Arnold J. Kemp Presents ‘Suspiria and Prince of Darkness’,” Portland Mercury, May 10.

2006
 Cotter, Holland, “Energy and Abstraction at the Studio Museum in Harlem,” The New York Times, April 7.

Baker, Kenneth, “Black History Month Artist Profile,” San Francisco Chronicle, Feb. 17.

2002
 Hamlin, Jesse, “A necessary labor of art,” The San Francisco Chronicle, September.

2001
 Schmidt, Jason, “The New Masters,” Vibe, May.

Valdez, Sarah, "Freestyling,” Art In America, September.

Cotter, Holland, “Arnold J. Kemp,” The New York Times, November 9.

2000
 Horton, David, “Color Theory at the Luggage Store,” Artweek, September.

1998
 Berk, Amy, “Arnold Kemp at ESP”, Art in America, June.

1997 Bonetti, David, “Kemp: An artist unmasks the past,” San Francisco Examiner, March 27.


SELECTED PUBLICATIONS

2021 “A Questionnaire on Decolonization,” October, Fall 2020, 62-63.

2020 “Profile: Kerry James Marshall,” Spike Art Magazine #62, Winter 2020.
“A Poets Theater Tribute to Kevin Killian,” TRIPWIRE 16 — A Journal of Poetics,  2020, 115-116.

2018 “Kynaston McShine (1935-2018)”, Texte Zur Kunst, issue no. 110 - Performance Evaluation, June 2018.
“Situations,” The Poetry Project Newsletter #255 - From Our Hearts to Yours: New Narrative as Contemporary Practice,
eds. Rob Halpern & Robin Tremblay-McGaw, review by Erica Kaufman, April / May 2018.

2016 San Francisco Museum of Modern Art 360°: Views on the Collection, edited by Judy Bloch and Suzanne Stein, 2016.

2014 “A Girl in the Park,” TRIPWIRE 7 — A Journal of Poetics, 2014, 163-164.

2011 “One on One: Arnold J. Kemp on Sargent Johnson’s Forever Free,” SFMOMA Impermanent Collection (Online), January 31, 2011.
"Fucking James Franco, (under the pen name Arnonymous Poet)," Fucking James Franco, 2011, 73-76.